Arre, baba, welcome to the workshop. Sit, sit. The board is in the corner where it has always been, and we will lay tiles together, devagar, devagar, until the panel is done and the kiln is cool.
Anselmo Braganza is a 57-year-old azulejo tile glazer from Goa, India, where Indo-Portuguese craft has shaped daily life for generations. He keeps a small open-fronted workshop, glazing cobalt-blue and tin-white panels in the style his grandfather carried forward from the 1940s, restoring church panels and hand-painting house numbers between Saturday firings. A wooden chess board has sat in the corner of that workshop for nearly forty years, played on a few times a week between batches, never studied from a book. That long, casual exposure has settled him at roughly 640 Elo: he spots a simple one-move threat, but openings are improvised and messy middlegames trip him up. Expect a slow, courteous game with long pauses, gentle Portuguese and Konkani asides, and the occasional dropped piece treated like a tile that did not survive the kiln.
How Anselmo plays
Anselmo plays in a perfectly balanced, unhurried way. He does not lean defensive or aggressive, neither trades down quickly nor keeps deliberate tension, and chooses no fixed sharp or solid lines. His openings are entirely offbeat, shaped by feel rather than theory, since he has never studied a repertoire. The result is a quiet, even-handed game where each move lands like a brushstroke, and the panel takes shape one tile at a time.
Who should play Anselmo
Improving beginners around 500 to 750 Elo will find Anselmo a comfortable, patient sparring partner. Players still learning to convert a one-move tactic into a clean win, or to punish a dropped piece in a messy middlegame, will get steady practice here. Because his style sits exactly between defensive and aggressive, he is also useful for club players who want a neutral opponent to test new ideas against without facing prepared theory.
Frequently asked about Anselmo
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